
Ultimate Song Request combines Jenifer Wofford’s and my projects about death songs. An event on November 3, 2018 celebrated the launch of our website and Jenifer’s limited edition artist book.
The public is invited to participate in Ultimate Song Request: https://ultimatesongrequest.org/

2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific installation inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.

2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific installation inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.

2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific project inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.

2017
Two-color risograph prints, edition of 70
17 x 11 inches
Collaboration with Jason Jägel
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation, detail of wall piece
Fine tip marker, ink, acrylic wash, collage, and glitter on xeroxed image; House paint and acrylic paint
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
Club Lido: Wild Eyes & Occasional Dreams, gallery view
2016
Wall mural
House paint, acrylic paint, and neon sign
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Digital print with ink, acrylic paint, graphite, glitter, stickers, and tape
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation, detail of listening station
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro

2007
Digital mural
Ryland Dog Park, City of San Jose Public Art Program
Collaboration with Julio Cesar Morales, with Vendome Neighborhood community feedback

Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).

Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).








Ultimate Song Request combines Jenifer Wofford’s and my projects about death songs. An event on November 3, 2018 celebrated the launch of our website and Jenifer’s limited edition artist book.
The public is invited to participate in Ultimate Song Request: https://ultimatesongrequest.org/
2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific installation inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.
2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific installation inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.
2017
Mixed media installation
Collaboration with Jason Jägel on an immersive, site-specific project inspired by our shared appreciation for underground comics, film, and music. Works on paper, painting-sculptures, dioramas, and architectural constructions formed a continuous, interconnected installation that covered the entire space of Royal NoneSuch Gallery.
2017
Two-color risograph prints, edition of 70
17 x 11 inches
Collaboration with Jason Jägel
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation, detail of wall piece
Fine tip marker, ink, acrylic wash, collage, and glitter on xeroxed image; House paint and acrylic paint
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
Club Lido: Wild Eyes & Occasional Dreams, gallery view
2016
Wall mural
House paint, acrylic paint, and neon sign
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Digital print with ink, acrylic paint, graphite, glitter, stickers, and tape
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2016
Mixed media installation, detail of listening station
This interdisciplinary project pays tribute to the now-defunct Lido Nightclub in downtown San Jose, CA. The unique venue comprised a Mexican dive bar downstairs and a Vietnamese disco upstairs that featured weekly live entertainment. The installation explored this intersection and mix of Mexican and Vietnamese cultures, and goths and drag queens who were also club regulars.
Collaboration with Angelica Muro
2007
Digital mural
Ryland Dog Park, City of San Jose Public Art Program
Collaboration with Julio Cesar Morales, with Vendome Neighborhood community feedback
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).
Club Unicornio (active 2003-2008) was a collective of artist-DJs who played Peruvian chicha, cumbia, Mexican sonidero, mambo, obscure 80s ballads, reggaeton, electroclash, garage, new wave, post punk, and underground music from Latin America. The project was the first of its kind in the Bay Area. Members consisted of Julio Cesar Morales, Luis Illades, Joseph Franko, Eamon Ore-Giron, and Juan Luna-Avin, who also created visuals and many of fliers for the DJ sets.
Club Unicornio performed to diverse audiences at commercial and art venues, including Casanova Lounge; Great American Music Hall; Slim’s; Café Du Nord; Queen’s Nails Annex; Yerba Buena Center for the Arts; SFMOMA; New Langton Arts; and the Hammer Museum for its Also I Like to Rock summer concert series. The collective also hosted acclaimed DJs Camilo Lara (Mexican Institute of Sound, Mexico City), Negro (Mexico City), and Chucuchu (Cumbia Cartel, Tijuana).